「抵抗、解放的戰略化戰術就是:積極地發明影像!」:: 高重
黎
《物.像.書》是藝術家高重黎的首部書寫作品,以「可見性的政
治經濟動力學」貫穿展開,探討攝影術自發明以來如何藉技術
與殖民體系,擴大為全球的「可見性基建工程」與「影像原始積
累」。書中集結高重黎近十餘年來的重要論述、訪談、創作筆記
,並收錄代表作《幻燈簡報電影:秋刀魚的滋味》與《延遲的刺
點:堤2》紙上版等系列與繪稿,全書逾兩百幀圖片,部分為首
度公開,廣泛涵蓋影像與感知論題,以及對動畫、攝影、電影
與生成式影圖等技術圖像歷史的關鍵分析。本書邀請讀者隨
高重黎獨樹一幟的創作理路,對我們自身的視覺精神史進行
一次基進考察,拆解影音階級與權力秩序的暴力構造,鑄造奪
回感知主權的思想機具和實踐方法!
Thing.Figure.Book is the debut written work by artist Kao
Chung-Li. Centered on the "political-economic dynamics of
visibility," the book interrogates how photography, since its
inception, has expanded into a global "infrastructure of
visibility" and "primitive accumulation of images" through
technology and colonial systems. The book assembles Kao
Chung-Li’s essential essays, an interview, and creative notes
from the past decade. It also includes paper-based versions
and sketches of his representative series, such as Slideshow
Cinema: An Autumn Afternoon and Belated Punctum: La
Jetée 2. Featuring over two hundred images:some
published for the first time:the volume extensively covers
topics of image and perception, providing critical analyses of
the history of technical images including animation,
photography, cinema, and cinegratography. Readers are
invited to follow Kao Chung-Li’s singular creative trajectory in
a radical investigation of our own visual spiritual history. By
dismantling the violent structures of audiovisual class and
power hierarchies, this book serves as an intellectual tool
and a method of practice for reclaiming the sovereignty of
perception.
黎
《物.像.書》是藝術家高重黎的首部書寫作品,以「可見性的政
治經濟動力學」貫穿展開,探討攝影術自發明以來如何藉技術
與殖民體系,擴大為全球的「可見性基建工程」與「影像原始積
累」。書中集結高重黎近十餘年來的重要論述、訪談、創作筆記
,並收錄代表作《幻燈簡報電影:秋刀魚的滋味》與《延遲的刺
點:堤2》紙上版等系列與繪稿,全書逾兩百幀圖片,部分為首
度公開,廣泛涵蓋影像與感知論題,以及對動畫、攝影、電影
與生成式影圖等技術圖像歷史的關鍵分析。本書邀請讀者隨
高重黎獨樹一幟的創作理路,對我們自身的視覺精神史進行
一次基進考察,拆解影音階級與權力秩序的暴力構造,鑄造奪
回感知主權的思想機具和實踐方法!
Thing.Figure.Book is the debut written work by artist Kao
Chung-Li. Centered on the "political-economic dynamics of
visibility," the book interrogates how photography, since its
inception, has expanded into a global "infrastructure of
visibility" and "primitive accumulation of images" through
technology and colonial systems. The book assembles Kao
Chung-Li’s essential essays, an interview, and creative notes
from the past decade. It also includes paper-based versions
and sketches of his representative series, such as Slideshow
Cinema: An Autumn Afternoon and Belated Punctum: La
Jetée 2. Featuring over two hundred images:some
published for the first time:the volume extensively covers
topics of image and perception, providing critical analyses of
the history of technical images including animation,
photography, cinema, and cinegratography. Readers are
invited to follow Kao Chung-Li’s singular creative trajectory in
a radical investigation of our own visual spiritual history. By
dismantling the violent structures of audiovisual class and
power hierarchies, this book serves as an intellectual tool
and a method of practice for reclaiming the sovereignty of
perception.
