金寶書局網路書店

Where Are the People?
How Could the People’s Bodies Voice Themselves in the Form of
Theatrical Aesthetics?

　　At That Time, the Audience Really Stood Up.

　　In this evening, theater practitioners initiated the conversation with physical action. They engage with contemporary issues through their unique performance styles. From a discursive context, they enter the scene of resistance and undertake the labor of performance. Their performance is not just the preface to a series of dialogues, but also a witness to thirty years of People’s Theater.

　　“People’s theater” belongs to the people.
　　It is the theater created by the people and speaks for the people as it has appeared in history in diverse forms.
　　People theater in Inter-Asian Societies began to grow in a cross-region, which included Jakarta, Manila, Bangkok, Kuala Lumpur, Hong Kong, Tokyo, Busan, Maputo, Beijing, Shanghai, Hualien, Taichung, and Taipei. Through the writings and images written down by theatrical artist

AUTHORS Ratu Selvi Agnesia 　　A young female theater researcher active in Jakarta. Glecy Cruz ATIENZA 　　A Professor at the College of Arts and Letters, University of the Philippines, Diliman, Quezon City. AU Sow Yee 　　A guest writer for the online magazine No Man’s Land; Co-founder of Kuala Lumpur’s Rumah Attap Library and Collective. BAEK Dae-hyun 　　A producer and an actor for the works of SHIIM. Richard BARBER 　　A theater worker and independent scholar working as the co-director of Free Theatre in Melbourne, Australia and advisor to the Makhampom Theatre Group in Thailand. Assane Alberto CASSIMO 　　A coordinator and founding member of Associa??o Teatro em Casa. CHUNG Chiao 　　A playwright, theater director, poet, and the artistic director of Assignment Theatre. Dindon W.S. 　 　　The Director of Teater Kubur. Muhammad FEBRIANSYAH 　　A lecturer at School of Social Sciences, Universiti Sains Malaysia, Penang. HAN Jia-ling 　　A hist